Satchel Paige and the Championship for the Reelection of the General How the best baseball pitcher in the American Negro leagues came to play for the cruelest dictator in the Caribbean. By Jonathan Blitzer The Atavist Magazine, No. 57 Jonathan Blitzer has written for the Oxford American, The New Yorker, and The New York Times, among others. Editor: Katia BachkoDesigner: Thomas ThielCopy Editor: Sean CooperFact Checkers: Juanita Ceballos and Jika GonzalezIllustrator: Kelsey DakePhotographer: Tatiana Fernández GearaPublished in February 2016. Design updated in 2021. One On a warm April day in 1937, Satchel Paige sat in his room at a boarding house in New Orleans, listening to voices drift up from the lobby. Word around the establishment was that some guys with foreign accents and Panama hats were looking to talk to him. Paige had asked around, but no one knew who they were. He was used to being pursued. He was the most famous black baseball player in the country and the ace pitcher for one of the best teams in the Negro leagues, the Pittsburgh Crawfords. The season opener was scheduled for April 25, and Paige had arrived alone, in his Green Packard convertible, without his teammates or his coaches knowing whether he was going to show up at all. He liked making people wait. He did it to batters, who suffered through his famed hesitation delivery; to his wife, Janet, who finally issued an ultimatum after three years of dilatory courtship; and to his fellow Crawfords, who struggled to stay loose midgame while he sauntered out to the stands to smoke and spar with the fans. They all put up with his antics because he was the best there was, and he knew it. Satchel Paige By the spring of 1937, he had earned hundreds of wins and multiple no-hitters. He dominated the black circuit during the spring and summer, lending out his services to white semipro teams for pocket money along the way. In the off-season, he barnstormed across the country and played winter ball in California, where he pitched against big leaguers like Jimmie Foxx and Dizzy Dean, who came away saying he was the toughest pitcher they’d ever seen. He was every bit the showman that he was the ballplayer. As a youngster in his home state of Alabama, he’d once called in his outfielders to sit in a half-circle around the mound, with runners on base and two away. He wanted to get the final out of the inning on the strength of his arm alone. When he struck out the batter on three straight pitches, his gambit instantly took on the cast of legend. “If you can do it, it ain’t bragging,” Paige used to say—he even bragged about bragging. Paige rented a room at a battered boarding house with a pointy, shingled roof on Dryades Street, in downtown New Orleans. It was one of only a handful of places in the city that accepted black lodgers. Paige had been ducking in and out since he got there, rushing to the team’s practices and exhibition games in preparation for opening day against the Crawfords’ crosstown rivals back in Pittsburgh, the Homestead Grays. It would be the start of a season-long “diamond war,” as one newspaper wrote, and New Orleans was chosen as neutral turf for the showdown. Unlike the white Major Leagues, with top-dollar salaries and the media’s undivided attention, the Negro leagues consisted of one improvisation after another; operations were underfunded and undersubscribed. Getting fans to turn out depended more on spectacle than on the quality of the play itself. Gus Greenlee, the owner of the Crawfords, profited from a healthy rivalry between the two teams. In addition to Paige, he was peddling a novelty act: a right-handed catcher who reclined in a multicolored rocking chair behind home plate. Greenlee was sure that his team’s new catcher would “start throwing and rocking his way to fame,” he said, adding, “He’s liable to be as big an attraction as Satchel before the season’s gone.” Soon after Paige got to town, his teammates told him about the men who had been lurking by the fields and asking about him. Paige began to notice them in the bleachers, flitting forms in the distance that would mass when he took the field and then scatter when he walked off. Wherever he drove, he felt that he was being followed. Paige figured he knew what it was all about: another offer, possibly to play somewhere south of the border like Puerto Rico or Cuba. “The pay was always good down there,” he would later recall in his memoir. “Down there, nobody was locking their doors to Ol’ Satch.” Whoever these guys were, though, he would have to avoid them. He didn’t want to be tempted away by their offers. Janet was pressuring him to stay put after he had traveled to Puerto Rico without her, canceling their vacation so he could pick up an extra paycheck, and she was still upset with him. Now, from up in his room, Paige could make out the sounds of Rs rolling and vowels flattening out, like he remembered from the Caribbean. He thought he heard his name and bolted upright. Dressed in his usual attire, a flashy suit and fedora, Paige grabbed his car keys and scrambled down the stairs to the alley where his car was parked. The rooming house shared a driveway with a shoe-shine parlor called Globe Trotters. Sun glinted off its sign and into Paige’s eyes as he wheeled out. He’d almost made it to the street when, suddenly, there was a screeching of tires and a black limousine slammed into view, blocking his way. A door opened and out stepped a short man, with brown eyes and black hair oiled back to accentuate a mild widow’s peak; he was fair skinned and wore a cream-colored linen suit. “I’m Dr. José Enrique Aybar,” he said as Paige cautiously got out of his car. “I direct the baseball team in Ciudad Trujillo.” The men in Panama hats, it turned out, were from the Dominican Republic. “I’d heard of sick clubs and ballplayers that looked pretty sick,” Paige later remembered, “but I never knew there was one so sick it needed a doctor to manage it.” He fixed his gaze on Aybar. “What can I do for you, Doc?” “President Trujillo has instructed me to obtain the best pitcher possible for his team, and our scouts recommend you,” Aybar said. “I’m glad your scouts like me, but I figure I’ll just stay with Gus Greenlee.” “We are very interested in winning,” Aybar said. “We will give you thirty thousand American dollars for you and eight teammates, and you may take what you feel is your share and divide the rest.” Paige was stunned. “Do I get to see the money?” In the pantheon of American baseball, Satchel Paige has always occupied a special place. He was one of the game’s all-time greats and also one of its most shameless and storied self-promoters. A whole mythology surrounds him and his exploits; he talked almost as fast as he pitched. In photos his mischievous smile made him seem invincible. A few years ago I learned, by chance, that he had played for one of the most infamous Latin American dictators who ever lived. It struck me as the kind of story only Paige himself could concoct, a tale so gaudy as to seem camouflaged in the annals of sports. I decided to investigate what happened when these two outsize individuals collided. I began with Paige’s famously self-aggrandizing memoir, Maybe I’ll Pitch Forever, in which he breezily recounts his first meeting with Aybar. There’s an insouciance to the anecdote that is vintage Paige. But while he portrayed his Dominican suitor as straight-laced and blandly solicitous, Aybar was the emissary of one of the most violent and dangerous men of his day. Paige didn’t know that at first. (In his defense, neither did the U.S. government.) Some accounts of their meeting have Aybar wielding a pistol to drive home his offer, although Paige was apparently unimpressed. Perhaps so far from the Dominican capital, where he held tremendous power, Aybar did not seem threatening. In his later years, Paige talked openly about his anxious impressions of General Rafael Trujillo, who ruled the country from 1930 to 1961, but by then the story had already been buffed to a high sheen. I always wondered if it wasn’t meant to be blinding. Paige liked to tell tales—zany and quippy and heaped high with bravado. But a plaintiveness shone through. I was lured to the legend of Paige’s greatness by his own storytelling, only to find a fissure in the monument he’d built to himself. Paige was all but synonymous with black baseball, and yet it often seemed that his towering celebrity in the Negro leagues hardly registered in the vehemently segregated world beyond. The feeling dogged him from his early days but seemed to gain force in the 1930s, when he was maturing as a player. One day, while playing winter ball in California, he was contacted by scouts from the Yankees, who wanted to test a young prospect named Joe DiMaggio by trying him out against Paige’s pitching. DiMaggio joined a team of pro players culled from some of the best Major League rosters, while Paige’s teammates consisted entirely of high schoolers and amateurs. Paige struck out 14 batters on the day and knocked in his team’s only run, single-handedly carrying the squad into the tenth inning, but the game was remembered for a fluky infield hit he surrendered to DiMaggio with two outs and a runner on third. The scouts cabled back to New York to relay DiMaggio’s definitive new credential—“Hit Satch One for Four”—launching his pro career. “I got more notice for losing that game than I did winning most of my other games,” Paige said afterward. While the Yankees were signing DiMaggio, Paige slunk off to continue barnstorming, which brought its own problems. Being black meant something different every place he went. In Bismarck, North Dakota, he played alongside white teammates—something that would have been unfathomable in the South. He was the toast of the town for his dominance on the mound in the Midwest, and yet he and his wife had to live in a semi-furnished railway car on the outskirts of town. “Having to live like that ate at me,” he said after he got back to Pittsburgh. “The blood gets angry.” By the mid-1930s, white baseball stars were starting to publicly question the league’s policy on segregation, but nothing came of it: Pro owners either wouldn’t take the risk of being the first to sign a black player or simply couldn’t fathom eliminating the racial barrier. When Paige accepted Aybar’s offer, a young journalist named Ollie Stewart, writing for the Baltimore Afro-American, saw Paige’s defection as more than a mere dollar proposition. “While some newspapers and sports writers were hammering away (verbally) to open the gates of white baseball leagues to colored players, Satchel Paige and a few other guys got tired of waiting for the miracle to happen and quietly shipped off to Santo Domingo to cash in on their talent,” he wrote at the time. South of the border, Stewart said, “the color of your bills seems all that counts.” If you’d asked Paige why he did it, he probably would have winked and told you about the money-filled briefcase Aybar brought back, as promised, after their chat in the alleyway. But there was something else he was questing after, something harder to pin down. He was willing to trade a city he knew for one he didn’t, to give up his bankable celebrity in the States for a chance at a different life, and to cash in on his reputation by cozying up to the strangest allies he could find. In the process, he very nearly brought an end to the Negro leagues for good. What’s stunning even now is Paige’s willingness to risk so much. At 30, married and in his sporting prime, he decided to leave behind the world that made him. Two The precariousness of black baseball gave rise to a paradox: The league was made and run by strongmen and swashbucklers who projected power in spite of their unequal status. Perhaps the lone figure in the game who could rival Satchel Paige for brashness and bravado was Gus Greenlee. Like Paige, he was over six feet tall and commanding, but where Paige was wiry, with a winsome nonchalance, Greenlee was thickset and imposing, 200 pounds and fleshy faced. He had come up hard, from the South, and clawed his way north toward prominence. Greenlee dropped out of college, abandoning his family to come to Pittsburgh, where he began driving a cab and selling bootlegged whiskey, earning the nickname Gasoline Gus. By the time Paige met him, Greenlee was a power broker of black Pittsburgh. The Caliph of Little Harlem, they called him. He was a veteran of the First World War, an impresario, and a business owner, all self-made. He owned the Workingmen’s Pool Hall, the Sunset Café, and Crawford’s Grill, which took up nearly a whole city block and played host to the city’s black elite. But running numbers was his lifeblood. He pulled in $25,000 on a good day, which allowed him to finance the one thing that gave him his special sense of purpose: his ball club. He bought the team in 1930, then recruited top-flight talent to build the premier outfit in the game: Satchel Paige; a clean-up-hitting catcher by the name of Josh Gibson; and a center fielder, James “Cool Papa” Bell, who was said to be so fast that he could switch off the lights and be in bed before the room got dark. The league’s scattershot quality made Greenlee an instant titan. He wasn’t just a club owner; he was the president of the league, having revived it after a string of bankruptcies. Perhaps the lone figure in the game who could rival Satchel Paige for brashness and bravado was Gus Greenlee. But by the spring of 1937, Gus Greenlee was in a bind. One of his employees was snitching. The cops kept busting up his numbers rackets, and it was bleeding him dry. Much to their annoyance, he’d already told Paige and his teammates that they’d have to go to New Orleans on their own dime. He’d pay them for their opening games, but they were in charge of their own accommodations and travel until then. Greenlee’s troubled finances exacerbated a long-standing worry that Paige would spring from his grasp and even take some of his teammates with him. In March, Greenlee traveled to New York for a weekend meeting with other club owners and league officials. They packed into a small office at the Tammany Democratic Club on Seventh Avenue to hash out details of the coming season. One thing they could agree on was a need for stronger contracts, since all of them were concerned about losing their top players. Team owners were always cutting deals to lure players away with better salaries or bonuses; it was known as contract jumping. Greenlee was the worst offender, but even he was growing battle weary. All the teams were hurting as the Depression dragged on. Ticket sales had slumped by the end of the previous season, and practically every club was in the red. The meeting was civil. No more breaking contracts, the owners decided. What was true for the players had to be true for the owners, too. “No infringement of territory rights,” Greenlee declared. The league commissioner, Ferdinand Q. Morton, nodded vigorously. “That’s right, no nosing in,” added Cum Posey, the debonair owner of the Homestead Grays. He glared at Greenlee as he said it. Greenlee had been pilfering some of Posey’s best guys, then trading them back at a profit. The latest was Josh Gibson, whom Greenlee sold back to Posey for $2,500 while they were all still seated around the table. As opening day approached, Greenlee was cautiously optimistic that the new contract agreements meant he could stop worrying about Paige. By 1937, Greenlee had already banned Paige from the Negro leagues once before for breaking his contract and accepting more money from other teams, but, desperate for Paige’s star power, he’d taken him back. Three Dr. José Enrique Aybar Aybar was an unctuous negotiator. He trotted out a parade of luxuries to ensure that Paige appreciated the significance of being summoned by a head of state. “I never seen a man with such power,” Paige remembered. He was describing Aybar but thinking of Trujillo. “He flies us down to Ciudad Trujillo on a big plane, and we ain’t put out no place to let other passengers on. No, sir. We got right of way. And what’s more, we don’t even have passports.” Janet Paige would follow several days later—Aybar was paying for her trip, too. Paige’s personal catcher, a bruiser named Bill Perkins, was also along for the ride. All they knew was that they were playing for Trujillo. Each year, the Dominican Republic celebrated a baseball tournament that divided the country into four regional rivals. Clustered around Santiago, in the north, were supporters of the Eagles of the Cibão region; in the east, fanning out around the port city of San Pedro de Macoris, were those faithful to the Estrellas de Oriente, whose mascot was a giant elephant; Santo Domingo, the capital city, which had been recently renamed Ciudad Trujillo, was cleaved in two by those loyal to the Escogido Lions and the Licey Tigers. Stars from across Latin America flocked to the Dominican Republic to play, and the nation happily succumbed to baseball fever. In February 1937, a council of businessmen convened in the capital to plan the year’s tournament, and the proceedings took on an air of solemnity and anticipation. Trujillo had recently announced presidential elections for the following year; he enjoyed the formality of the vote, all the better for his personal pageantry. The tournament, as one of the signal events on the national calendar, would need to reflect his supremacy. The council decided on a fitting title: “The Championship for the Reelection of Rafael Trujillo.” Soon after, the owners of the Tigers and the Lions—long-standing cross-town rivals just like Greenlee’s Crawfords and Posey’s Grays—combined forces to represent the city. If Santiago and San Pedro de Macoris could summon fearsome and gigantic beasts to represent their clubs, Ciudad Trujillo’s image was bigger still: The club was called the Dragons, and Aybar himself signed on as its vice president. Winning the tournament was an obsession for Aybar—a gift he wanted, and felt he needed, to deliver Trujillo himself. Aybar was a rabidly loyal supporter of Trujillo precisely because he’d once been a traitor to the cause. He was a dentist by training but also something of a kingmaker—a member of the reigning political party and a frequent speaker at its meetings. When Trujillo first came to power, after a coup he’d orchestrated in February 1930, Aybar had been one of his most vocal naysayers. The son of a poor postal clerk who had a reputation for cattle rustling, Trujillo was an uneducated tough; as a teenager he enrolled in the country’s national guard, which had been set up and run by U.S. marines in the early 1920s, when the Americans occupied the country. Quietly but tenaciously, he rose through the ranks, eventually becoming head of police. Trujillo wasted no time in consolidating his power, and he gave the national police a new name: the Dominican Army. But even as Trujillo grew in stature, Aybar doubted his staying power. Trujillo called for an election in May 1930 to shore up his legitimacy. A month before the vote, Aybar gave a speech in which he said that Trujillo was like “the product of an abortion; he had no viability at all.” If uttering those words had felt, for a moment, like an act of grandiloquent heroism, it had promptly become a liability. Rumors that Trujillo was systematically eliminating his rivals spread in the run-up to the vote. The military stormed meetings of political opponents, jailing and killing critics. Politicians outside Trujillo’s orbit fled the country, while judges tasked with overseeing the vote abandoned their posts and sought asylum at the American embassy. Gangs loyal to Trujillo rode the streets of the city in dark, unmarked cars, wreaking havoc. By August, with the city shaken and smoldering, Trujillo had won the election with more votes than there were eligible voters. From that moment on, Aybar labored hard to make his loyalties clear. Before long, the local press started calling him the Dominican Doctor Goebbels. He hounded Trujillo’s critics and devised elaborate schemes to eliminate anyone who could damage the dictator’s popularity. By 1937, he was a member of Trujillo’s inner circle, even creating a special security detail for the leader, drawn from students at the university where he was dean of the dental school. The streets were full of soldiers, armed and draped in military fatigues, when Paige arrived, on April 18. He touched down 50 miles east of the capital in a Pan-American hydroplane with a twin tail and four propellers mounted on each wing. As it skipped across the Higuamo River, people ran to the bank to wave it in. A group of men from Aybar’s club greeted Paige as he climbed out, enthusiastically shaking his hand before piling together into a car. I can only imagine what Paige must have been thinking on that drive. The trip was more than an hour long, so there would have been plenty of time for him to reflect on his situation. But Aybar mostly kept him in the dark. Paige must have known a little Spanish from stints playing in Latin America, but not enough to ask his hosts hard questions. “If that man don’t like you, you wake up and you’re movin’,” he later wrote of Trujillo. “And from what I seen it don’t take much for him not to like you.” Trujillo’s sway was unmistakable, even in the jumble and fog of his arrival. It was waiting for Paige like an announcement on the facade of the hotel where he was staying: Hotel Presidente, a three-story structure with a rooftop garden overlooking a park in the center of town. Last summer I visited the National Archives, in Santo Domingo, to root through old newspapers and steal a glance into Paige’s life in the capital. There were two main dailies back then, El Listín Diario, which came out in the morning, and La Opinión, which was sold around lunchtime. There may not have been an explicit policy of censorship at the time, but the papers were visibly constrained just the same, the style cramped and canny. Both trafficked in the mainstream news of the day: headlines about the Spanish Civil War raging in Europe, obligatory panegyrics to Trujillo, and society pages with wedding announcements and photos of tiara-wearing doyennes. Tucked in the middle of each broadsheet was the sports section. The columns teeter and veer, the tiny type packed densely around scant photos. The sports pages of La Opinión were looser and more playful, and they brimmed with commentary and humor pieces. Journalists were savoring the drama well before Paige arrived in the capital. When the council overseeing the tournament first met, its members made a fateful decision: No limits would be placed on the number of players each team could import from abroad. This immediately set off an arms race. In each city, influential businessmen and political figures rushed to recruit the best talent. Dominican players alone weren’t enough to assure victory; the teams looked mainly to Cuba, Latin America’s baseball capital, to secure the most competitive rosters. “We would have imported white American league players,” Aybar told the press, but “the salaries paid them by the big league magnates made it impossible for us to do better.” Not so for black American players. From the start of the tournament in March, the competition was stiff. The Estrellas de Oriente, the champions from the 1936 tournament, already boasted the country’s greatest star, the fleet-footed center fielder Tetelo Vargas, who was joined by an array of decorated Cuban moundsmen. Santiago was reportedly paying the highest sum in the history of Latin baseball—about $1,000 a month—for the Cuban legend Martín Dihigo, a player so complete and dominant he was known as El Hombre Team, because he played every position on the diamond, and often hit third in the batting order, the spot reserved for the deadliest hitter in the lineup. The Dragons, meanwhile, had assembled a squad that consisted of a smattering of Dominicans and Cubans, a costly lot whose combined star wattage was dim. There was a certain irony to these recruiting sprees, given Trujillo’s fanatical patriotism. His rhetorical platform had trumpeted the dignity of the nation above all else. Yet, in the baseball tournament meant to serve as the principal advertisement of his reelection, there were a surfeit of Cubans. One sports reporter groused, “It’s simply a drag-out fight among the regions in which each one tries to spend more money buying ballplayers from abroad.” The stakes were too high to spare any expense but too expensive not to imperil nationalist dogma. An artifact of the 1937 championship. (Courtesy of Orlando Inoa) The schedule, which consisted of about forty games, was straightforward: three matchups each weekend in two separate ballparks. There’d be a double-header in one—a game in the morning at 9:30, a break for lunch, and an afternoon game at three; then, later that evening, the players would pack into a caravan of automobiles, complete with team-supplied chauffeurs, and travel to one of the other two cities represented in the tournament for the Sunday game. The Dragons were having trouble just staying out of last place by the time Paige arrived. Fans were disgruntled, and the sports pages of the Ciudad Trujillo newspapers were riddled with invective against the hometown losers. There was a sinking feeling in the capital that the Trujillo club had thrown its money after a bunch of lackluster prima donnas. Paige’s debut with the Dragons came on April 25, the same day that he was supposed to be facing the Homestead Grays in New Orleans. It was the first game of a double-header against the Estrellas de Oriente. The papers described Paige as being “at least 6 feet 7 inches tall,” a good four inches of exaggeration; with him, they claimed, the Dragons were easily “the best baseball club ever assembled in all time in the capital.” A few days before Paige flew in, another American star, Herman Andrews, had arrived on a steamer and had been clobbering the ball in the Dragons’ weekday warm-ups. Two thousand fans showed up to watch him take batting practice, and he rewarded them by hitting seven home runs out of the park and straight into the sea behind the stadium. The team’s president announced that he would employ divers and install inflatable docks to catch all the balls. The promise of a big offense, in the form of Andrews, coupled with legendary hurling from Paige, worked the capital into a frenzy. The Café Hollywood, a downtown bar with a carefully curated aristocratic feel, was selling tickets for the weekend’s games and had already raised prices for Paige’s big day. The local newspaper sold five-cent baseball cards of the players in anticipation. Paige and Perkins wore their Trujillo pinstripes on the street. There wasn’t a clubhouse at the stadium, so they changed at the hotel, slinging their spikes over their shoulders and walking south, in flip-flops, down Calle Pina toward the sea. Swarms of fans buzzed around them, calling out to Paige and asking for autographs. Trujillo had rebuilt the stadium four years earlier, after a hurricane razed the capital, killing thousands and reducing the city to rubble. When Trujillo was through, every cornice of the city seemed to bear his fingerprints. The baseball stadium rose like a shrine, with three tiers of seats spread along the first- and third-base lines which came together in a V that touched behind home plate; the outfield was spectacularly framed by the sea. In right field, just beyond the fence, was the partially submerged hull of an American battleship with four gigantic stacks, called the USS Memphis, which had crashed on the rocks in a storm in 1916 and had never been hauled away. It was a fixture of the landscape, and a target in deep right field for batters, as was a sign nearby, erected behind the center-field wall, that read: National Championship for the Reelection of President Trujillo, 1938-1942. Long Live the Benefactor of the Fatherland. Anyone who hit it received a $25 reward. In Paige’s view, there was something menacing about the layout. “The diamond was in a place that looked something like a bull ring, only there’s no bull fights down there,” he told an American journalist years later. The battleship USS Memphis loomed beyond right field. (Courtesy of Cuqui Córdova) Seven thousand fans packed the seats for Paige’s first game, filling the stands with the steady rumble of cheers and stomping feet. The grass on the field looked thick, and there were mounds of dirt around each of the infield bags. Paige strolled out to the mound to take his warm-ups, kicking his foot high in the air and rearing back with a twist of his torso before uncoiling toward the plate. He was lanky, and his uniform sagged around his slender frame. But there was a majesty to his figure as glimpsed from the stands, where his easy, fluid movements made him look like a pulsating force field, gliding and snapping in his motions. It was Paige against the Cuban ace Ramón Bragaña—a battle between the King and Prince of the plate, the papers said. Paige took the mound first. He circled the hill, flipping the rosin bag in his hand before tossing it aside and dragging his cleats down across the rubber. His eyes burned as he zeroed in on Perkins’s mitt. Paige rocked back with his left foot and raised his arms straight above his head, then let them slump down to his chest as he readied himself for a kick of his leg. Time stood still through these preliminaries, and Paige liked to make the batter flinch, blowing the ball in just as he was getting antsy. Paige and Perkins were the perfect match of bravado. Paige had written FASTBALL on the sole of his left cleat, so that it was the last thing the hitter would see as Paige’s enormous foot came tumbling toward him off the mound. Perkins, for his part, had written THOU SHALL NOT STEAL across his chest protector. There was a majesty to his figure as glimpsed from the stands, where his easy, fluid movements made him look like a pulsating force field, gliding and snapping in his motions. Tetelo Vargas led off, and Paige walked him, then forced the next three batters to ground out to the infield. He eased into his rhythm, striking out the Estrellas’ captain in the second inning, then its shortstop in the third. As he walked off the field, Dragons fans threw money onto the diamond in rowdy appreciation. The game was scoreless through three innings, but the Estrellas put a run on the board in the fourth. The Dragons answered with three of their own in the bottom of the inning; by the sixth they were up six to one, and Bragaña had been taken out. Then Paige began to falter. It started when Tetelo walloped a double to center, followed by a home run by the Estrellas’ shortstop in the top of the seventh inning. “He hit it to the Memphis,” fans shouted while the runners rounded the bases and Paige kicked at the dirt. A message had been sent: Paige, and the Dragons, were not invincible. In the eighth, Paige gave up another run after allowing two more hits and put runners on first and second. It was clear that the time had come to pull him from the game. By now the Dragons’ lead had narrowed to two. Paige’s replacement, a surgical Cuban right-hander named Rodolfo Fernández, walked the bases loaded and let up a double, which scored three. The Dragons were now down one, and the score held going into the bottom of the ninth, when Silvio García, the Dragons’ third baseman, ignited a two-out rally to tie the game and send it into extra innings. The teams battled into the bottom of the 11th, the score even, as the Dragons loaded the bases. The Estrellas brought out a hard-throwing left-hander named Manuel “Cocaina” García to face Herman Andrews, who’d already struck out three times. The Dragons manager, in turn, replaced Andrews with a right-hander for a better hitting matchup. Cocaina worked from the windup, blazing the ball in with a windmill delivery. His first pitch was a ball—then his second and third. With a 3-0 count and the winning run on third, he delivered his next pitch, which drifted out of the strike zone. He walked the batter, forcing in the winning run. The Dragons streamed onto the field in celebration, and the fans climbed down from the bleachers. A chorus of “Hero” reverberated around Silvio García, feted for his game-tying double. From the dugout, Rodolfo Fernández noticed that the runner who had just been walked had not made it to first base in the crush of festivities, and the umpire had still not officially called the game. Fernández shouted and pointed, and for a second the celebrating stopped as people looked quizzically at the wildly gesticulating pitcher; the runner, hearing him, spun around, ran to first, and touched the bag, and with that the Dragons won 8–7. Paige’s debut had ended in a no-decision—technically he neither won nor lost, because the score changed so many times after he exited the game—but his reception afterward was cold. The pro-Dragons press in Ciudad Trujillo lambasted his “poor” outing in barbed headlines, and there was half-serious speculation that the team would have to lower ticket prices back to pre-Paige levels. The next game was a week away, and Paige would have to prove himself anew. Four For months I’d been on a quest to find the scorecards from the 1937 tournament. I first heard about them from a Dominican memorabilia seller living in Miami, whom I’d met on the recommendation of a chiropractor out of Dallas with a Negro league obsession that he nursed in his spare time. These were the kinds of people I was meeting, the sort you could cold-call one afternoon with a wildly random question about 1937 only to find an unflappable voice on the other end of the line who’d cut you off—politely—to recite the batting orders of the teams in question. I eventually learned that the scorecards did exist but had been sold to an auction house in Pennsylvania, then, in 2014, acquired by an unnamed buyer for $6,658.33. After that the trail went cold, and I flew to Santo Domingo to see what I could turn up. It was there that I met Cuqui Córdova, an 87-year-old amateur historian who has amassed, in his cozy family apartment, the largest collection of Dominican baseball memorabilia in the world. In three manila file folders, tucked away in a desk-side drawer, were his records of the tournament. And there, wedged between photographs of Paige, Aybar, and the USS Memphis, were ratty photocopies of the scorecards. In neat, sometimes florid longhand, designated spectators noted with letters and symbols the schematic developments of the games. “R-SS” meant that the batter hit a ground ball to the shortstop (in Dominican parlance, the R stood for “rolling”), “2B” that he hit a double. English words were written into the cramped little boxes reserved for each batter, often with phonetic miscues like “aut” instead of “out” (spelled like it sounds to a Spanish speaker). Each scorer had his own style, telltale penmanship, or preference for how to space out the markings on the page. With the scorecards, it was like a light suddenly went on. The plays of every game were illuminated, but there was also an unexpected effect—doubt over Paige’s reconstruction of some of the action. Now I could see past his serial embellishments and, with the additional aid of the newspapers, right onto the field itself. A scorecard from the 1937 championship, part of Cuqui Córdova’s collection. A week later, in Ciudad Trujillo, the Dragons had hosted the Estrellas and lost badly. “We played like we never seen a baseball before,” Paige said. The next day, he was back on the mound in Santiago against Martín Dihigo and the Eagles. The matchup, which featured three new black Americans making their debuts for the Santiago squad, brought thousands to Enriquillo Park. “It ain’t no cakewalk,” Paige later described it. “We got a flock of colored Americans on our team, but they got as many on theirs. How them babies could hit that ball!” The game was scoreless when Dihigo came to the plate in the bottom of the third, tapping his cleats with a reddish bat and wiggling into the box. The fans rose to their feet. Paige may have been the famed ace, but Dihigo was the pride of Latin baseball. Theirs was shaping up to be the matchup of the tournament—Paige all brash and flashy, an American through and through, and Dihigo a paragon of quiet grace and command. Paige was sweating on the mound. He looked at the ball in his mitt, focusing in on the stitching, with the word Wilson written between its seams. He had to paint the corners against Dihigo; a single mistake could be costly. Paige reared back and delivered, his long limbs popping and whirling toward the plate, ropy and cyclonic. He fired one strike, then another. He clocked in a curveball off the plate to see if he could tempt Dihigo to fish (no luck); he tried to sneak in another and missed. The count was two balls and two strikes. He paced around the mound and glared at the runner on first, then remounted the rubber in the stretch, his shoulders facing third and his arms dangling down at his sides as he looked in for a target. Perkins didn’t give Paige any signs. When they first met, back in Birmingham, Paige had told him, “I’m the easiest guy in the world to catch. All you have to do is show me a glove and hold it still.” Perkins got set, his mitt upturned and steady behind the plate. Paige whistled it in, and just as the ball crossed the plate Dihigo strode effortlessly forward with his left foot, extending his arms out to meet the pitch. With a smooth, compact swing Dihigo connected, and the ball soared into the outfield. Antonio Castaños, the Dragons’ right fielder, camped under it, bounding back farther and farther toward the wall, but the ball kept going, clear of the right-field fence for a two-run homer. By the seventh inning, Paige had been yanked. The Santiago fans were dancing in the bleachers, clapping and moving their hips to a merengue called “Leña,” the Spanish word for kindling, in a tribute to the team’s hot bats. Aybar had warned Paige about the stakes, and Paige had only half believed him. Now he could see that the teams were evenly matched. Back in the capital later that night, Paige sent a cable to Cool Papa Bell in Pittsburgh requesting reinforcements. Paige had conferred with Aybar, who gave him special dispensation to offer money—$800 a head—to Bell and three others to join the team: an outfielder named Harry Williams, the pitcher Leroy Matlock, and shortstop Sam Bankhead. A few days later, Bell cabled back. “Satchel, they treatin’ us so bad here we’ll come down. But make it a thousand, and we’ll stay eight weeks.” Gus Greenlee In Pittsburgh, Gus Greenlee’s team was dwindling before his eyes. By late May, eight of his top players had left for the Dominican Republic. He knew more would follow. Scouts were sneaking into games to scope out recruits and approaching them on the sly to lure them to Ciudad Trujillo with more money than Greenlee could ever offer them. “Haiti pirates,” he called them. At Crawfords games he prowled the stands, searching the crowds for interlopers. He also deputized his public relations man to make his own rounds badmouthing Paige as one of the ringleaders of the exodus. The departures fueled a debate in the black press. Paige sympathizers saw him as a businessman angling for a good deal. All through the 1920s, baseball fans had gotten used to reading about marathon contract negotiations for white players, like Babe Ruth, whose astronomical salaries were national news and beyond reproach. There was no reason why Paige, who was black baseball’s equivalent hero, shouldn’t enjoy the same privileges, argued Ollie Stewart, the sportswriter for the Afro-American. The opposing side was made up of supporters of Greenlee and the club owners, who claimed that Paige and the others were ingrates for abandoning the leagues that had made them. Most of the local papers had long been loyal to the club owners anyway, and the tone of their screeds was personal and cutting. The pitcher whose name was once synonymous with black baseball had come to symbolize the disloyalty threatening to do the whole sport in. “Satchel Paige has gotten more out of Negro baseball than anyone ever connected to Negro baseball,” Cum Posey wrote in his regular column in the Courier. It was a rare moment of agreement between him and Gus Greenlee, two rivals united against a common scourge. “Negro baseball does not owe him anything. He owes negro baseball plenty.” Like the other club owners, Posey was losing players to the Dominican Republic, but it was the broader pattern that concerned him. It wasn’t just the 1937 season but the risk that black baseball could go out of business. The pitcher whose name was once synonymous with black baseball had come to symbolize the disloyalty threatening to do the whole sport in. Meanwhile, the Dominican race for American talent was gaining speed. On May 4, two days after Dihigo hit his deep home run off of Paige in Santiago, the Estrellas’ owner, a businessman named Federico Nina, arrived in New York. “Pleasure” is all he proffered to the agents who processed his papers, before proceeding to the Hotel Hargrave on 72nd Street to meet up with Luis Mendez, the Dominican consul. Both men were short, with dark hair and brown eyes, and had a preference for light-colored suits and wide-brimmed hats. Together they left for Pittsburgh, where the Crawfords and Grays were playing a series at Greenlee Field. Nina had his eyes on a trim right-hander named Ernest Carter, one of Greenlee’s guys, but he was also in the market for infielders, and Pittsburgh was a fount of talent. The following Saturday, they took their seats in the stadium’s bleachers. Greenlee had men scanning the stands; he’d gotten a tip that two foreigners had been driving around Pittsburgh asking for directions. But in a stadium full of black spectators, the Dominicans blended right in. When Nina arrived in New York, the agents at customs had recorded his race as “negro.” Greenlee’s henchmen would have to keep their ears open for any stray Spanish overheard in the stands. It didn’t take long for the two to be found. Greenlee called a local alderman, telling him that a “raid” was in progress and that foreign agents were lurking around the city with the aim of breaking legally binding contracts—a crime, he claimed, that was tantamount to conspiracy. The alderman called the cops, while Nina and Mendez, none the wiser, followed Carter to the Crawfords Grill for the post-game celebration. Before long the three were repairing to Carter’s hotel off Wylie Avenue to talk about an offer. Carter’s manager, the barrel-chested Oscar Charleston, a wily outfielder and veteran of the leagues, watched as they left the restaurant and followed them to the hotel. Nina and Carter had just shaken on the deal—$775 for eight weeks of play—when Charleston burst into the room, shouting insults. He towered over Nina, wagging his finger in the diminutive Dominican’s face. “I came here to whip you,” he shouted. “But since you’re so little, I won’t do it. Why don’t you go into the white leagues and get your players?” The police arrived and cuffed Nina and Mendez, who were stunned by the turn of events. The charges against them were bloated and dramatic, bearing evidence of Greenlee’s handiwork: The two had “unlawfully, falsely, knowingly and maliciously conspired, combined, and confederated and agreed to induce, entice, and take from the Pittsburgh Crawfords, Inc., and Homestead Grays Inc., certain baseball players and employees of the said corporations under written and binding contract.” Their acts were “dishonest” and “dishonorable,” and redounded to the “prejudice of … the National Association of Negro Baseball Clubs.” Included among the charges was the list of players Nina had been courting: four from the Crawfords and two from the Grays. The players, in the language of the allegations, were “the property” of these two teams; luring them away was on par with theft. Nina and Mendez spent two nights in jail before posting $1,000 bond; by the time they were released, the jailing had become a major diplomatic incident. Mendez had contacted the Dominican consul general, who spoke with the U.S. State Department. Cordell Hull, the secretary of state, personally wrote him back to say he was looking into the situation. Calls were made, cables sent. The Allegheny County district attorney spoke with the alderman, and finally a judge dismissed the charges. The two Dominicans were free to go home, which they did—taking Carter and several other ballplayers with them. As Greenlee and the other club owners saw it, there was only one viable option for stemming the tide of departures: They had to convince the U.S. government to intervene. The next week, team owners held an emergency meeting in Philadelphia, where they voted unanimously to circulate a resolution among sympathetic national congressmen. Their message was clear, if desperate: “Be it resolved that these actions on the part of the Dominican baseball promoters and permitted by the officials of the Dominican Republic BE AND ARE HEREBY CONDEMNED. Be it further resolved that steps be taken to have these practices STOPPED.” In their view, the ideal outcome was for the State Department to order Trujillo to fly Paige and the other players back. They bombarded their representatives, arguing that the congressmen risked insulting their black constituents unless they took action to save black baseball. The Dominican affair, Greenlee’s lawyers told two Pennsylvania Democrats, “involves a matter of great importance not only to us as club owners, but also to the American Negroes generally.” Meanwhile the league’s commissioner, Ferdinand Morton, beseeched New York senator Robert F. Wagner, an outspoken fan of black baseball, to intervene on the owners’ behalf. “All the work which we have done to secure for the colored ball player a decent wage will go for naught,” he wrote. For all their fervor, they hit a wall. According to the American attaché in Santo Domingo, Nina and Aybar were acting out of private interest, so there wasn’t much room for diplomatic intervention abroad. But there was enough political will to find some sort of solution. In late June, Hull’s deputies met with the owners in Washington. The meeting’s minutes and internal memos, catalogued at the National Archives, reveal that the government officials were eager to help Greenlee and his counterparts in good faith. But their cooperation highlights a major contradiction at the heart of the American government’s attitudes toward black baseball and its black citizens. If the government’s openness to the interests of the Negro leagues indicated a conciliatory approach to the black community, it also emphasized just how limited that benevolence truly was. The government had never taken serious interest in integrating professional baseball, and it would be 17 years before the U.S. Supreme Court put an end to legal segregation. Yet there was the secretary of state, hosting black club owners in the country’s capital. Five Rafael Trujillo For the players in Ciudad Trujillo, the week between games was long and full of temptations. They went to nightclubs and cabarets, to brothels and swanky bars with names like the Rialto and the Encanto. They danced to five-piece bands that played merengues, which Trujillo had recently declared the national music, and in honor of the Americans, Cab Calloway and Duke Ellington tunes were sometimes interspersed in the lineup for a dose of straight-ahead Yankee swing. Race translated differently in the Dominican Republic. The black Americans were absorbed right into the teeming, multiracial scene. Sometimes, as a kind of Caribbean grace note, they were even called gringos. Still, there were ugly moments. The pitcher Bert Hunter, who was playing for Santiago, struggled with his control early in the tournament and became an immediate target for testy fans. He was heckled and called King Kong. When he finally settled into his groove after a few games and won the fans over with a commanding victory, he lumbered past the first-base line, swinging his arms up and down in mock imitation of a gorilla, and yelled back at them, in broken Spanish: “¿Ah, sí? ¿Ya no King Kong? ¡Ahora gran pitcher Hunter! ¡Mucho bueno!” (“Oh, yeah? No longer King Kong? Now the great pitcher Hunter! Very good!”) His rage confused the Santiago faithful, who understood racial innuendo by a different standard: To them, as to Trujillo, being “black” meant being Haitian. There was a long strain of racial antipathy toward the country’s neighbors to the west, and Trujillo, whose family was partly Haitian, took pains to emphasize his own affinity with Europe. He enacted harsh anti-immigration laws to keep out Haitian fieldworkers and even took in leftist refugees from the Spanish Civil War, an anathema to a right-wing strongman, simply to “whiten” the complexion of the population. His obsession with merengue was a more benign example. He much preferred it to Afro-Cuban dance music like the rhumba because it reminded him of an old-world, European-style waltz. Satchel and Janet Paige danced it, delightedly, without knowing the fetishism it stood for. The high-society allure of the capital exercised a particular tug on the players. The aspiration of achieving celebrity commensurate with their talent, so baldly squelched in the States, was finally a reality. The journalist Ollie Stewart, who’d traveled to Santo Domingo to cover the tournament for the Afro-American, saw life there as practically utopian. “If there is a future for colored Americans (and I am convinced more than ever now there is a bright one) it is in this part of the world—in these islands now being developed, now coming into their own.” In his view, there was one person to thank for that: Rafael Trujillo. “President Trujillo rebuilt the city, made it sanitary, built streets, roads, put in electric lights, good water, drained off mosquito-infested swamps and brought peace to the republic,” Stewart wrote, echoing, ironically if only unconsciously, the kind of contemporary tropes being used overseas to prop up dictators like Mussolini. Behind closed doors, Trujillo was summoning his aides for advice on how to dispose of the Haitians crowding his borders. But on the streets, all Ollie Stewart could see were storefronts decorated with photos of the American ballplayers. The aspiration of achieving celebrity commensurate with their talent, so baldly squelched in the States, was finally a reality. The players themselves were lulled as well. Not only did they have their hefty monthly salaries; they also walked around with their pockets flush with cash from a raft of tournament-wide incentives—$10 bonuses for won games, $10 more for home-runs, $40 for the winning pitcher. Bill Perkins traveled with an entourage to keep the fans off. “He was such a heavy lover, this precaution was taken to keep the women away from him,” Stewart observed. When Paige walked the streets with Janet he was mobbed, with boys perpetually trailing him and women shouting insults at his wife. “You’re not beautiful, we’re beautiful!” they yelled, as if trying to peel Paige away. The festive mood had grown somber by May. The Dragons were losing, stuck in last place in spite of the tens of thousands of dollars spent on their success. While Federico Nina was trawling for talent in Pittsburgh, his Estrellas blew out the Dragons in back-to-back matchups in San Pedro de Macoris, outscoring them fourteen to three. After another string of losses, this time to Santiago, the Dragons’ management adopted special “disciplinary measures” to “submit the players to solid training and to wean them from all the whiskey and beers.” The newspapers called out Paige, Andrews, and Perkins by name as repeat offenders. Excessive drinking now led to fines, which the papers catalogued as though the whole of the capital was acting as the team’s chaperone. The week after the Dragons eked out a lone victory against Santiago, Andrews and Perkins each had to pay $6.25 for a night of debauchery that had led to a missed practice. The Dragons’ manager resigned, “in light of the fact that the club needs someone who can dedicate more time to the discipline and organization of the operation,” as he put it. Two other businessmen, who vowed to redouble their supervision of the team, took over in his stead. Their first move was to institute a curfew. “It was almost like we was in jail,” Paige complained in his memoir. “We was kept at a hotel and had to be in bed early. No matter what we done—like if we went in swimming—there was soldiers around and nobody could speak to us.” I was stunned when I came across this account in Paige’s memoir. Paige’s complaint about the soldiers chimes with what is easily his most infamous, if also most beguiling, anecdote from the time. In the midst of one tight game, while he was on the mound, Paige says, Trujillo ordered troops to surround the field. The dramatic subtext is clear: If Paige hadn’t come through with a win, he wouldn’t have survived to tell the tale. The other players remembered swimming and fishing, even horsing around on the beach, but none of them mentioned these stifling armed watchmen, nor, for that matter, the same sense of imminent disaster. What likely fueled these discrepancies was Paige’s sourness about anyone telling him how to live at all. There’s no question that the Dragons’ owners were bothered by Paige’s lifestyle; he had been an exceptionally expensive acquisition, and the team’s management, understandably, felt he was overindulging. Paige was used to getting what he wanted from Greenlee, and that wasn’t how the Dominicans operated. But it’s also true that Paige was feeling the pressure more than most, since Aybar had been portentous with him from the outset. He was earning big money—$1,200 a month for three months, plus several hundred more as a bonus—to bring the capital its championship. “We was President Trujillo’s ball club and we got to win that championship, because if we won’t win maybe the people won’t reelect him again,” Paige said. “It’s that important.” Mostly, this was Aybar talking. Like any proper courtier of his era, he could be more Trujillista than Trujillo—more of a booster for the regime, and more of a menace. Paige looked and acted unflappable, but to judge from his memoir he truly was getting nervous. The troops he saw on the street may very well have merged in his mind with the curfew and the new battery of restrictions from the team’s management. Aybar had convinced him that Trujillo was lurking behind every out of every inning and that the consequences would be grim if Paige couldn’t turn things around for the Dragons. An advertisement for a game between the Dragons and the Eagles. Paige wasn’t the only one to feel the pressure. The tournament had been charged from the start, with fans sometimes storming the field in protest when a call was made against their club. But by May, players, coaches, and managers were all getting tense as play tightened. The Dragons responded by cleaning house. On May 19, management announced a “new Unified Front,” headed by Aybar, to strengthen team discipline. The phrase was meant to have a political ring to it, and Aybar decided to run the club like it was an extension of the government. When a fresh batch of American recruits arrived in San Pedro de Macoris to play for the Estrellas, soldiers escorted them to the capital, where they suited up for the Dragons. Nina made more than one trip back to the States to plug the gaps in his roster, and when he returned he was arrested and thrown in jail for a week before he could go home. Two days after the Dragons’ new initiative was announced, Cool Papa Bell, Leroy Matlock, Sam Bankhead, and Harry Williams arrived on two private planes chartered by Aybar. It was the biggest single importation of new recruits to date. An entourage waited for them at the landing strip, complete with the team’s captain, the new director of discipline for the club, a member of the executive committee, and a lucky Ciudad Trujillo fan brought along to pose for the press. The team officials immediately presented the four players with tournament registration papers to sign, and they set out for the Hotel Presidente. “Forty-five days ago, none of this seemed possible,” one news article declared; the capital had become a kind of magnet for the premier black American talent of the day. The arrival of four more players was touted as an immediate achievement of the new Unified Front. The Dragons’ next home game, against the Estrellas, was a triumph. Paige gave up just two hits that made it to the outfield, and Cool Papa Bell smacked a single and stole a base, the fans gawking at his speed. His trademark was a chop-like swing of the bat that grounded the ball straight into the dirt so it would careen up high into the infield. In the time it took for the ball to drop into a fielder’s mitt, he’d already be standing on first. Everyone cheered as he scampered to the bag. When Bell reached base, it was like his team had a run in the bank; he was so fast, he could score from first on a bloop single to even the shallowest part of the outfield. The Dragons notched one victory, then another. The Eagles were holding firm, but the once champion Estrellas were beginning to buckle. In June, Ramón Bragaña, the team’s star pitcher and best hitter, was suspended for ten games for getting into a fistfight with an umpire. A week later, the Estrellas lost 20–5 to the Eagles in a game held in honor of the birthday of Trujillo’s son, Ramfis. Nina was savaged in the press for seeming to have thrown the game to save his best players for their next matchup, later that day, against the Dragons. It was an unfair charge that stemmed from an indisputable reality: Against the expanded ranks of the Dragons and the Eagles, the Estrellas were outgunned and overmatched. The Santiago Eagles. In a few short weeks, the momentum had shifted: the black American players were dominating the competition, and by the middle of the summer the newspapers had taken to calling the tournament the World Series of Black Baseball, championship billing that Gus Greenlee and the other club owners had for years tried in vain to drum up in the States. By the end of May, even more players had arrived to shore up the ranks of the Eagles—the pitcher Chet Brewer, the second baseman Pat Patterson, and outfielder Roy Parnell. The Dragons, meanwhile, were on an upswing of their own. After the arrival of Bell, Williams, Bankhead, and Matlock, the reliever Robert Griffin joined the team on June 1, and there were rumors that Josh Gibson would be coming later that same week. The Estrellas managed to scrounge up a few black players—the hard-hitting second baseman George Scales and, later, Ernest Carter—but they didn’t have the firepower to match their rivals. Between May 22 and June 12, the Estrellas lost five of seven games and sank into last place. The Dragons passed them on their way up into second place and were now within striking distance of the Eagles. By now, Paige’s and Aybar’s fortunes were entwined. Each victory the Dragons notched brought Paige one step closer to making it out of the Dominican Republic safe and triumphant. At the same time, it meant ever better publicity for Trujillo. Paige labored on the field, while Aybar conspired off it. And all the while the team in Trujillo’s name became like another medal on the general’s decorated lapels. His hold on the country tightened as he consolidated monopolies in the salt, tobacco, and lumber industries; the list of his assets grew larger by the day. His wife, meanwhile, was put in charge of a business that forced state employees to pay her a 2 percent service charge to cash their paychecks. Together, Trujillo and his family gained control of 40 percent of the country’s wealth, and his reign was only just beginning. As Paige’s luck on the diamond took a favorable turn, he began to question whether he even wanted to return to the States. “I would be willing to go to South America and live in the jungles rather than go back to the league and play ball like I did for ten years,” he wrote in an op-ed that ran in the Afro-American later that summer. “The opportunities of a colored baseball player on these islands are the same or almost the same as those enjoyed by the white major league players in the States. That’s something to think about it.” Practically all his old teammates were in Ciudad Trujillo with him anyway. Josh Gibson arrived on June 11, and fans turned out by the thousands to watch his debut the next day. The Dragons were facing the Estrellas at home, and Cocaina García kept Gibson hitless, but barely. In the sixth inning, Gibson crushed a line drive straight back up the middle and right at the pitcher. The ball sought García out like it was personal, and he flailed his glove to knock it away from his face. Gibson had arrived ready, his swing unkinked and fluid. The next day, he hit a double against the Eagles, and the game after that he pounded a double and a triple. The Dragons and Eagles were pulling away. By June 21, the Dragons were 13-11 and the Eagles 11-10. The Estrellas had sunk three games under .500. The baseball council decided to narrow the tournament’s final three weeks to a competition between the two leading teams; it declared the Estrellas’ chances mathematically impossible, given their current record, and took the team out of contention, thanking Nina and his guys for their service. Tetelo Vargas and Cocaina García left for Venezuela, Ramón Bragaña for New York. For the Dragons, this cordial exit didn’t mean that there was a graceful way that they, too, could lose the tournament—in fact, just the opposite. Now the Dragons and Eagles would have to square off on center stage. The Dragons with Dr. José Enrique Aybar (second row center; Satchel Paige is seated to his left). Aybar sent away for new uniforms from Havana, one last frill for his team in the final stretch. The Dragons didn’t need any fresh motivation, though. The team was finally gaining momentum. The players were on a tear, besting the Eagles in a string of matchups. And with three games left, in the final week of June, they needed only two more to clinch victory. The Eagles fought back. In the first game of a double-header on July 4, in Santiago, they kicked off the bottom of the first inning with a six-run rally against the usually untouchable Robert Griffin. Martín Dihigo pitched for the Eagles. The Dragons didn’t get on the board until the sixth inning; then they exploded for three more runs in the seventh and came back to within one run in the top of the ninth before the American Clarence Palm, in to relieve Dihigo, closed them down. The final score was 8–7, and the Eagles had managed to withstand the Dragons at their offensive best. Josh Gibson had hit for the cycle—a single, double, triple, and home run—but it wasn’t enough. In the afternoon game, Paige was back on the mound, strong as ever, but his counterpart, the ex-Crawfords pitcher Chet Brewer, was better. He threw a one-hitter, in which the Dragons eked out two paltry runs on three Eagles fielding errors. The Eagles survived elimination yet again. In the customary week off before the next game, Brewer, who’d been stationed in Santiago throughout the tournament, came to the capital to relax for a few days. He and Paige were likely to face off again in the coming weekend, the latest in a career-long rivalry between the two players. They were reluctant friends, close after all their years together. “None of us got any publicity when Satchel was there,” he once said. Brewer was soft-spoken and even-keeled, but he felt some resentment toward Paige. “I pitched against Satchel a lot of times. We just about broke even on wins,” he said. Yet “they always starred Satchel. He had all the billing.” One evening, Brewer walked over to the Hotel Presidente to see if Paige and some of the other guys wanted to have a drink, but they weren’t there. In broken Spanish, he asked a boy in the street about the ballplayers; by this point, everyone knew them in the capital. “They’re in jail,” the boy replied. Paige had complained before about feeling, at certain moments, like the Dominican Republic was one big prison cell, but that had been an exaggeration. This time it was literal. It wasn’t even the first time he’d been locked up for baseball—he’d once found himself in jail in Pittsburgh while Greenlee and another owner fought over who had claim to the pitcher. (Keen on some extra money, Paige had signed contracts with both of them.) This time, though, it had to have been terrifying. For all Paige knew, he’d been put on lockdown by order of the dictator himself. On top of that was an even scarier association: a black man, in 1937, stuck in a jail cell. It’s impossible to reconstruct exactly how Paige wound up there, but it seems safe to assume that Aybar ordered it. Brewer figured that someone in the upper echelons of the team’s management had decided to lock up Paige before his big start to make sure a night of carousing wouldn’t dull his performance. The pressure put an added strain on Paige as he suited up the next morning. “You’d have thought war was declared. We were guarded like we had the secret combination to Fort Knox,” he said. Paige was no stranger to the spotlight, but he was starting to wonder about his safety. Say the Dragons didn’t win, he recalled thinking—we’re here without passports! From left: Satchel Paige, Josh Gibson, and Bill Perkins. There was another game the following week, and the Dragons, behind Leroy Matlock, would have a chance to secure the championship. Before the Dragons walked onto the field, Aybar took the team aside and got everyone quiet. Then, in a soft but firm voice, he gave them a laconic piece of advice: “You better win.” Paige, his voice a little shaky, piped up. “What’a you mean, we better win?” he asked. Aybar’s response was sterner still. “I mean just that. Take my advice and win.” The Dragons took their warm-ups, and Paige glanced around at the stands. “Some of them guys the president had watching us sent shivers up and down your spine. They was that tough looking. They packed guns and long knives, and I know they could use ’em. We didn’t want to give them a chance,” he said. He had plenty of time to take stock. Leroy Matlock got the start and Paige watched from the bench. Matlock was in fine form in the early innings; from the looks of it, Paige’s services might not be needed at all. Brewer was back on the diamond for the Eagles, even though he’d gone the distance the previous game. This was another advantage for the Dragons—their bullpen allowed each of their starters a comfortable amount of rest. If it wasn’t Paige on the hill, it would be Matlock; if not Matlock, Griffin; and if not Griffin, then Rodolfo Fernández. The Eagles had a slightly tighter rotation, especially since the Cuban southpaw Lefty Tiant had gone back home a few weeks before. Their signal ace was Brewer, who, for his part, showed no signs of fatigue. He gave up first-inning hits to Cool Papa Bell and Josh Gibson, but that was to be expected; each of the next two innings Brewer retired the Dragons in order. The din in the stadium grew steady, with shouts and cheers blanketing the ballpark; in its evenness, the noise almost seemed to fall away, and a kind of silence reigned over the diamond itself. The teams went back and forth through the second, third, and fourth innings. One squad stole a few hits, then stranded its runners on base when the opposing pitcher hunkered down. In the bottom of the fifth, Brewer had fallen into a rut—he’d walked the lead batter and then surrendered the game’s first run. With one out, he gave up three consecutive hits to load the bases. Martín Dihigo had seen enough. The player-manager trotted in from center field, where he’d started the game, and relieved Brewer himself. By now Dragons fans were in hysterics. Dihigo took his warm-ups with an easy, rolling motion and barely even a kick of his leg. Sam Bankhead, who was due up, stood a few feet off the plate and took practice swings in sync with the pitches as they came in. Dihigo signaled he was ready, and the umpire waved Bankhead over to the plate. Dihigo wound up and delivered, and Bankhead unleashed a mammoth swing. The ball shot off his bat, rising steadily over the infield, then the outfield; it easily cleared the fence for a grand slam. Money, hats, and flowers rained onto the field. The Dragons scored three more runs by the end of the inning and were up eight to zero going into the sixth. Paige came into the game in the top of the ninth inning with the Dragons leading by five. There was one out, and runners stood on first and second. A cushy lead like this could be dangerous for Paige, who was best when pitching with a sense of urgency. Feeling that victory was within reach, the local fans called out to Paige to put the Eagles away. “The more the fans yelled, the harder I threw,” Paige said. “I bet I never did have a better fastball only I never see any better hitters than them guys.” The first three batters he faced all got hits—and just like that the Eagles had three more runs on the board and had pulled to within two, the score at 8–6. “Boy, my mouth was dry that day,” he later wrote. “‘Satchel, old boy,’ I say to myself, ‘If you ever pitched, it’s now.’” The fearsome Roy Parnell grounded to second for out number two, and up came Dihigo. He scorched a single to right field, and again the bases were full. The leading run was on first base. Paige disliked pitching at the stadium in Ciudad Trujillo because it was so small—short fences in left and right field and a cropped outfield. He felt his back was against the wall. Clarence Palm, the Eagles’ imposing catcher, strode to the plate. He took a hefty cut at the ball, and it skipped into the gap between short and third. Bankhead ranged to his right and dug the ball out with a sure-handed grab, then planted his right foot and gunned the ball across the diamond. One of the runners crossed home and another, the tying run, was rounding third. Everyone watched as the ball sailed across the infield toward first base. Paige stiffened. The throw was on line; the first baseman stretched out from the bag to snag it. The umpire pumped his fist—Palm was out at first. Dragons win. The team celebrated by the mound, circling around a grinning Satchel Paige. He’d gotten himself out of another jam. A photographer steadied the revelers and had them pose for a picture, then took one of Paige alone, his hat off and a dazed smile on his face. He was missing a button on his jersey, so that the word Trujillo, which was emblazoned across his chest, didn’t quite line up; it was a final act of unwitting irreverence. From Cuqui Córdova’s collection, a photograph taken at the end of the 1937 championship, after the Dragons had clinched the victory. Six If Paige thought victory would ingratiate him with Trujillo, he was sorely mistaken. Aybar organized a celebratory picnic at one of the dictator’s residences, but Trujillo never showed. There was one crucial fact about Trujillo that Paige did not know: The dictator didn’t even like baseball. Not only that, he hadn’t gone to any of the tournament games. The championship held in his honor hardly seemed to register with Trujillo at all. His daily memos, typed up and brought to him each morning as a primer on what was going on in the country, mentioned agrarian reform, bureaucratic appointments, diplomatic engagements—all manner of small-bore politics and administration, but not a word about how the tournament was developing. For months, Trujillo had been receiving updates about the growing presence of Haitians at the border, which he increasingly viewed as a threat to Dominican sovereignty. On August 4, 1937, a few weeks after the tournament ended, he took a trip to the border himself. The situation, as he saw it, was becoming ungovernable. Dominican farmers complained that Haitian immigrants were pillaging and robbing their plots, and Haitian currency was circulating on the Dominican side, which Trujillo took as an added affront. He fired his agriculture secretary and ordered the construction of a Catholic church in the border town of Dajabón, vowing to return and police the area personally. On October 2, after coming back for another survey, Trujillo gave orders to his officers: Any Haitian on Dominican soil illegally was to be killed on the spot. The military fanned out along the border, spreading terror. For a full week, soldiers hacked men, women, and children to death with machetes. Around 15,000 people were killed before the campaign let up. The rampage made international news. Though Trujillo remained in power, his rule growing ever more brazen and bloody, outcry over the massacre forced him to withdraw from the 1938 elections. The Championship for the Reelection of Rafael Trujillo, and all the other blandishments gracing the social calendar during the previous year, had brought too much attention to a dictator who, finally, needed to lay low. He named a puppet in his place to quiet some of the international uproar. The years wore on. Critics at home and abroad mysteriously disappeared. Rival presidents in neighboring countries uncovered plots to assassinate them that seemed to emanate from the Dominican capital. Thirty years into his reign, Trujillo, his family, and their cronies controlled 80 percent of the nation’s economy and employed 45 percent of the country’s workforce. One night in May 1961, on a dark stretch of coastal highway, Trujillo was assassinated en route to visit his mistress. With the collapse of the old order, Aybar, who had enjoyed a long career under the dictator, lost the protections that came with that privilege. In 1965, American troops invaded the Dominican Republic to support a coup and police the streets through the ensuing chaos. One night a mob rampaging through the upscale neighborhood of Santo Domingo where Aybar lived tried to rob his house; he ran outside to frighten them off, waving a revolver. American soldiers, who arrived on the scene but didn’t know exactly what was happening, took aim and shot him dead. Shortly after the tournament ended, Satchel Paige and his fellow Americans returned to the States, where they played on the semipro circuit for a few months while waiting for a rapprochement with team owners from the Negro leagues. They banded together under the name the Trujillo All-Stars and, dressed in their old Dominican pinstripes, entered a prestigious semipro competition in Colorado called the Denver Post Tournament, which they won. When the papers didn’t name-check Trujillo, they referred to the team as “Satchel Paige’s Outlaws,” an appellation he welcomed. “If you ask me what was the biggest event for colored baseball in 1937, I’d say the winning of the pennant of the Dominican Republic by the best players in the league,” Paige said, proud and unrepentant. That fall the international press began reporting on Trujillo’s atrocities, and while it seems unlikely that Paige kept up with the developments, it also seems inevitable that he took note of the criticism directed at Trujillo. In between Trujillo’s and Aybar’s deaths, Paige published his memoir. By then he was trying to define his legacy. Professional baseball was integrated in 1947, and its protagonist wasn’t Paige—or, for that matter, any of black baseball’s legendary stars—but a 28-year-old second baseman who’d played all of five months in the Negro leagues. His name was Jackie Robinson, and as Paige immediately grasped, he was instantly immortal. “I’d been the guy who’d started all that big talk about letting us in the big time,” Paige said in his memoir, with more than a touch of resentment. “I’d been the one who everybody’d said should be in the majors.” The main reason he was left off the integrated rosters was his age: He was 41 at the time. By then, Cool Papa Bell was on the path to retirement and Josh Gibson was already dead, of a brain tumor. If together they’d been trailblazers—the game’s first true black stars—they were also the first to be sacrificed in the push to integration. Pioneers but throwbacks, they were too weathered to lead the way to the sport’s next frontier. Paige watched as Robinson broke the color barrier in the National League and then as a center fielder named Larry Doby followed suit, 11 weeks later, in the American League. Paige wasn’t ready to resign himself to the bleachers. The day after Doby signed with the Cleveland Indians, Paige sent a telegram to the team’s owner: “Is it time for me to come?” The response was chilly: “All things in due time.” Paige, dejected, kept barnstorming. Now that professional baseball was integrating, the Negro leagues teetered on the brink of irrelevance—and, in short order, bankruptcy, too. Greenlee, for one, was a husk of his former self. His stadium had been demolished in 1938, and soon after he was forced to resign as league president. Once he was shut out, he never managed to work his way back into black baseball; he’d created too many enemies. In 1946, at the age of 50, he suffered a heart attack, and he died six years later. One day in early July 1948, while Paige was traveling with a semipro club in Iowa, he got a call from the Indians. The team was ready to give him a tryout. They were in a tight pennant race that summer and short on pitchers. “I wasn’t as fast as I used to be, but I was a better pitcher. If I couldn’t overpower them, I’d outcute them,” he said of the prospect of facing big-league batters. The world’s first glimpse of Paige in the bigs wouldn’t be of the dazzling fireballer he’d been all his life but of a grizzled veteran. It was both a tragedy and a triumph. On July 7, he was signed. Two days later, at the age of 42, he took the mound for Cleveland in his Major League debut. He had prevailed against all odds—even, it seemed, the passage of time. As always he had a saying handy to motivate himself: “Don’t look back, someone might be gaining on you.” He remains the oldest rookie in the history of the game.